The creative writer
The creative writer to navigation Jump to search This article is about the genre.
For a text to be considered creative nonfiction, it must be factually accurate, and written with attention to literary style and technique. Ultimately, the primary goal of the creative nonfiction writer is to communicate information, just like a reporter, but to shape it in a way that reads like fiction. Literary critic Barbara Lounsberry—in her book, The Art of Fact—suggests four constitutive characteristics of the genre, the first of which is «Documentable subject matter chosen from the real world as opposed to ‘invented’ from the writer’s mind». By this, she means that the topics and events discussed in the text verifiably exist in the natural world. Creative nonfiction may be structured like traditional fiction narratives, as is true of Fenton Johnson’s story of love and loss, Geography of the Heart, and Virginia Holman’s Rescuing Patty Hearst.
Creative nonfiction writers have embraced new ways of forming their texts—including online technologies—because the genre leads itself to grand experimentation. Dozens of new journals have sprung up—both in print and online—that feature creative nonfiction prominently in their offerings. Writers of creative or narrative non-fiction often discuss the level, and limits, of creative invention in their works, and justify the approaches they have taken to relating true events. In recent years, there have been several well-publicized incidents of memoir writers who exaggerated or fabricated certain facts in their work. In 1998, Swiss writer and journalist Daniel Ganzfried revealed that Binjamin Wilkomirski’s memoir Fragments: Memories of a Wartime Childhood detailing his experiences as a child survivor of the Holocaust, contained factual inaccuracies. The James Frey controversy hit in 2006, when The Smoking Gun website revealed that Frey’s memoir, A Million Little Pieces, contained experiences that turned out to be fabrications.
In 2008, The New York Times featured an article about the memoirist Margaret Seltzer, whose pen name is Margaret B. Although there have been instances of traditional and literary journalists falsifying their stories, the ethics applied to creative nonfiction are the same as those that apply to journalism. The truth is meant to be upheld, just told in a literary fashion. Essayist John D’Agata explores the issue in his 2012 book The Lifespan of a Fact. As the popularity of the genre continues to expand, many nonfiction authors and a handful of literary critics are calling for more extensive literary analysis of the genre. The art of fact: contemporary artists of nonfiction.
Daniel Ganzfried, translated from the German by Katherine Quimby Johnson. The Art of Creative Nonfiction: Writing and Selling the Literature of Reality. Writing Creative Nonfiction: Instruction and Insights from Teachers of the Associated Writing Programs. In Fact: The Best of Creative Nonfiction. Keep It Real: Everything You Need to Know About Researching and Writing Creative Nonfiction. This article is about writers who use words.
For writers of music, see Composer. Francisco de Goya y Lucientes — Gaspar Melchor the creative writer Jovellanos. A writer is a person who uses written words in various styles and techniques to communicate their ideas. Writers produce various forms of literary art and creative writing such as novels, short stories, poetry, plays, screenplays, and essays as well as various reports and news articles that may be of interest to the public. Writers’ texts are published across a range of media.
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Some writers work from an oral tradition. Writers can produce material across a number of genres, fictional or non-fictional. Another recent demand has been created by civil and government readers for the work of non-fictional technical writers, whose skills create understandable, interpretive documents of a practical or scientific nature. The term writer is often used as a synonym of author, although the latter term has a somewhat broader meaning and is used to convey legal responsibility for a piece of writing, even if its composition is anonymous, unknown or collaborative. Writers choose from a range of literary genres to express their ideas.
Most writing can be adapted for use in another medium. For example, a writer’s work may be read privately or recited or performed in a play or film. Satire for example, may be written as a poem, an essay, a film, a comic play, or a piece of journalism. The writer of a letter may include elements of criticism, biography, or journalism. Writers may begin their career in one genre and change to another. Or a last goodbye so negligent as this?
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